基地

東北角

當談論到“自殺”一件極爲自我的事情，他是殺害自己、一種罪行還是通往自由的選擇？我的基地選在東北角，陸地凝聚到一個端點再延伸成一片海，這塊極端的基地環境迫使念頭者做出決定“離開”或“留下”。當沿著東北角的步道行走時，一個白色燈塔出現在眼前，它是既有建物 ，如同一個地標象徵了東北角的盡頭。

我以一間特殊的「行旅」做為機能設定，探討念頭者與看守者的關係。建築配置以一條軸線從有到無的邏輯建構，談論一個材料的漸進，從最完整的混凝土空間、到耐候鋼半突出房間、最後是木構要被燒毀的小屋。在軸線的端點則是灑下骨灰的地方，較輕的灰會被風吹走，較重的被水帶走，讓原先屬於這個世界的東西，以最自由的方式回歸大地。

Site

Northeast Coast

When discussing “suicide,” an extremely personal subject, is it the act of killing oneself, a crime, or a choice towards freedom? 

My site is located in the northeast corner, where the land converges to a point and extends into the sea. This extreme environment forces those contemplating dying to make a decision whether to “leave” or “stay.” As you walk along the trail of the northeast corner, a white lighthouse appears in front of you, like a landmark. It is an existing structure, symbolizing the end of the road.

 I propose a “hotel” hoping to explore the relationship between the contemplator and the guardian. The architectural layout is constructed along an axis based on the logic from presence to absence, discussing a gradual transition of materials: from the most complete concrete spaces, to weathering steel room, and finally to a wooden hut for burning. At the end of the axis is the place where ashes are scattered, the lighter ashes are blown away by the wind, and the heavier ones are carried away by the water. What originally belonged to this world is returned in the freest manner.