基地

台南市海安路

街舞_街頭的舞蹈，為了打破傳統、中心化的舞蹈環境，逐漸演化為一種無處不在的新型態舞種。在街邊隨意播放音樂便能形成所需的場域，以表達自由且奔放的自我。

然而，在都市的緊湊步調下，公共空間的爭奪常剝奪了舞者的表現空間，同時面對都市的壓力和商業化趨勢，舞者們轉向依附傳統舞蹈教室，街角舞影逐步消弭。我思考是否可以通過重新創造場域來復興其最初的自由精神？為忙碌的都市生活提供一處喘息之地，一個自由的城市舞台。

舞台究竟為何? 是提供表演的空間，更是吸引觀眾注目的場所。當觀看變得自由，不再局限於計劃中的表演登上尊貴的舞台，所有行為均成為表達自我的一種方式。

舞台不再是可以被框定的空間，而是藉由不同的邊界創造，自發產生的觀賞性。海安路軸帶會隨著身體流動而改變，讓原先因車流孤立的中島因人而呼吸，使公共空間真正成為共存的去中心化都市場域，達到人與空間與次文化的共存願景。

Site

 Hai’an Road, Tainan

Street Dance, as a form of dance that aims to break away from traditional, centralized dance environments, has gradually evolved into an omnipresent new genre. By simply playing music on the street, the space for expression can be created, allowing individuals to convey their sense of freedom and abandon.

However, within the fast-paced rhythm of urban life, the competition for public space often deprived dancers of their performance areas. Additionally, facing the pressures of urban life and commercialization trends, dancers often turn to traditional dance studios, gradually diminishing the presence of street dance. I ponder whether it’s possible to revive its original spirit of freedom by reimagining and creating new spaces? To provide a sanctuary amidst the hustle and bustle of city life, a free city stage.

What exactly is a stage? It’s not only a space for performance but also a place that attracts the gaze of spectators. When watching becomes free, no longer confined to planned performances on prestigious stages, all actions become a means of self-expression.

The stage is no longer a confined space but rather a spontaneously generated spectacle created through various boundaries. The Hai’an Road axis will change with the flow of bodies, allowing the previously isolated islands due to traffic to breathe with people, making public spaces truly decentralized urban domains where people, space, and subcultures coexist harmoniously.