基地

雲林縣虎尾鎮

藝術的出現有種崇高的氛圍，一種想與世俗劃清界線的感覺，在這樣的情況下，藝術還得以親近人嗎？當藝術降臨在繁雜的小鎮時又應當如何對應對？美術館能否存活於混雜地帶，卻又不受外界的干擾像藝術品一樣具有崇高的自明性，但又親近於人呢？

 一個金屬半殼降落在一個因糖業而興盛的小鎮中心，雲林縣虎尾鎮。巨大的衝擊造成了周圍30公分深的坑，不久之後周圍長滿了花草，金屬半殼的底部並沒有貼於地表，而是飄在離下沉廣場處約莫 40 公分高的位置，創造出了一張長68公尺寬17.5公尺的雙面椅子，面向兩街道，一個和藹可親的環繞花園誕生了，美術館的領域被放大開來；室內也透過懸吊的外挑與內縮樓板放大了雕塑展間的地面和畫展室的牆。

簍空金屬半殼被玻璃格柵圍起，垂直觀看時像正常的玻璃面一樣向外通透，花園的景色一覽無遺地出現在眼前；行走在側邊時，原先玻璃反射倒影被支解再重新組合的鎮景讓民眾對原先熟悉的環境重新認知。金屬半殼做為一個糖業時代發展的象徵，以一精簡藝術呈現，期望使美術館不再只是藝術品的載體，而是本身就是一件藝術品，周圍的環境與人也將成為藝術的一部份。

Site

Huwei Town, Yunlin County

The emergence of art has a sublime atmosphere, a feeling of wanting to draw a clear line from the world. Under such circumstances, can art still be close to people? How should we respond when art comes to a complicated town? Can an art museum survive in a mixed zone without being disturbed by the outside world? Can it be as sublime and self-evident as a work of art, yet close to people?

  A metal half shell landed in the center of Huwei Town, Yunlin County, a town that thrived on the sugar industry. The huge impact created a 30-centimeter-deep pit around it. Soon the surrounding area was covered with flowers and grass. The bottom of the metal half-shell was not attached to the surface, but floated about 40 centimeters above the sunken square, creating a A double-sided chair with a length of 68 meters and a width of 17.5 meters faces two streets. An amiable surrounding garden is born, and the area of ​​the art museum is enlarged; the interior is also enlarged through suspended overhangs and retracted floors. It covered the floor of the sculpture exhibition room and the walls of the painting exhibition room.

The hollow metal half-shell is surrounded by a glass grille. When viewed vertically, it is transparent like a normal glass surface. The garden scenery appears in front of you at a glance; when walking on the side, the original reflection of the glass is broken up and re-assembled. The combined townscape allows people to re-understand the previously familiar environment. As a symbol of the development of the sugar industry, the metal half shell is presented in a streamlined art, hoping that the art museum will no longer be just a carrier of art, but a work of art itself, and the surrounding environment and people will also become art. a part.